Cameras

Your Trusted Source for Cutting-Edge Camera Rentals

Day Rate:$1000Weekly Rate: $3000

This Kit Includes

  • ARRI ALEXA PLUS CAMERA BODY W. LDS
  • ARRI ALEXA EVF-1 ELECTRONIC VIEWFINDER
  • ARRI ALEXA VMB-2 VIEWFINDER MOUNTING
  • (2) x ARRI ALEXA VIEWFINDER CABLE SHORT
  • (2) x ARRI ALEXA VIEWFINDER CABLE MEDIUM
  • ARRI ALEXA VEB-1 VIEWFINDER EXTENSION
  • (2) x ARRI ALEXA 12V ACCESSORY CABLE KC
  • ARRI LB-1 LEVELING BLOCK FOR ALEXA
  • ARRI SP-3 SHOULDER PAD FOR ALEXA
  • ARRI CCH-1 CENTER CAMERA HANDLE
  • ARRI HEB-2 HANDLE EXTENSION BLOCK
  • ARRI ALEXA AB BATTERY ADAPTER BACK
  • ARRI BP-12 BRIDGE PLATE SET
  • 221W / 24V POWER SUPPLY
  • (2) x ARRI KC-20 (STRAIGHT) 24V 3-PIN BATTERY
  • INNERSPACE CASE FOR ALEXA BODY
  • INNERSPACE AB CHARGER 4 BATTERIES
  • (3) x SONY / SXS PRO+ CARD / 64GB
  • (6) x PAG HC-PL94T 94WH 3-STUD BATTERY
  • ANTON BAUER TM4 4-POS FAST BATT CHARGR
  • ELEMENTS 12″ ARRI DOVETAIL
  • ANTON QR-QUAD-PT GLD MT ADP W/4 PWRTAPS
  • (2) x POWER CABLE IEC 60320 110/250VAC
  • (2) x ELEMENTS 19MM ULTRA RODS 12″ LENGTH
  • (2) x ELEMENTS 15MM ULTRA RODS 12″ LENGTH
  • 2 XLR3 FEMALE RT ANG TO XLR5 MALE R.ANG
  • ARRI ANTENNA FOR ALEXA PLUS
  • SONY SBAC-US20 SINGL EXPRESSCARD SLOT
  • CALDIGIT USB 3.0 A/B CABLE, 3 FT
  • SANDISK 4GB ULTRA SDHC 15MB/S CLASS 4

Camera Type

 35 format film-style digital camera with electronic viewfinder,
integrated shoulder arch, built-in support for the ARRI
Wireless Remote System (WRS), cmotion cvolution lens control system
and ARRI Lens Data System (LDS).

Sensor

 35 format ALEV III CMOS with Dual Gain Architecture (DGA) and Bayer pattern color filter array.

Photosites

 2880 x 1620 for ARRIRAW, 2880 x 1620 down sampled to 1920 x 1080 for HD video and ProRes

Operating Modes

 Regular or High Speed mode. High Speed mode requires license
purchase. Switching takes approximately 40 seconds.

Frame Rates

 ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ): 0.75 – 60 fps
ProRes 422 (Proxy), 422 (LT), 422 and 422 (HQ) with High Speed license: 0.75 – 120 fps
Prores 4444 with 32 GB SxS PRO cards: 0.75 – 40 fps
ProRes 4444 with 64 GB SxS PRO cards, SUP 5.0 or later: 0.75 – 60 fps
DNxHD 145 and 220x: 0.75 – 60 fps
DNxHD 145 and 220x with High Speed license: 0.75 – 120 fps
HD-SDI: 0.75 – 60 fps
ARRIRAW SUP 5.0 or later: 0.75 – 60 fpsAll speeds adjustable with 1/1000 fps precision

Shutter

 Electronic rolling shutter, 0.75 – 60 fps: 5.0º – 358.0º, 60 – 120 fps: 356º.
Shutter angle setting precision: 1/10 degree.

Exposure Latitude

 14 stops for all sensitivity settings from EI 160 to EI 3200,
as measured with the ARRI Dynamic Range Test Chart (DRTC)

Exposure Index

 EI 160 (+5.0 / -9.0), EI 200 (+5.3 / -8.7), EI 400 (+6.3 / -7.7),
EI 800 (+7.4 / -6.6), EI 1600 (+8.4 / -5.6),
EI3200 (+9.4 / -4.6)
Values behind the exposure index are the number of stops above and below 18% grey.
These values are
for Log C. Rec 709 and DCI P3
are the same except
for 0.5 stops fewer in the low end at EI 160, 0.4
stops fewer
in the low end at EI 200 and
0.2 stops fewer in the low end at EI 400.

White Balance

 Separate white balance (red/blue) and color correction (green/magenta)
adjustment through Auto or manual setting.
Red/blue: 2000 to 11000 Kelvin, adjustable in 100 K steps, with presets
of 3200 (tungsten), 4300 (fluorescent), 5600 (daylight) and 7000
(daylight cool). Green/magenta: -8 to +8 color correction (CC),
1 CC = 035 Kodak CC values or 1/8 Rosco values.

Sound Level

 Under 20 db(A) @ 24 fps and ≤ +30° Celsius (≤ +86° Fahrenheit) with
lens attached and fan mode set to ‘Regular’, measured 1 m/3
feet in front of the lens. Silent operation at higher temperatures
possible with fan mode set to ‘Rec low’.

Power In

 Three inputs: BAT connector, battery adapter back and battery
adapter top. All accept 10.5 to 34 V DC. 85 W power draw
for camera and EVF-1 in typical use recording 24 fps to SxS PRO
cards, without accessories.

Power Out

 12V connector: limited to 12 V, up to 2.2A. RS, EXT and ETHERNET:
input below 24V is regulated up to 24V, above 24V:
input = output voltage. Both RS and EXT connectors combined: up to 2.2A.
ETHERNET: up to 1.2A. Maximum power draw is also limited by the power source.

Weight

 ALEXA Plus camera body + SxS Module: 7.0 Kg/15.4 lb
ALEXA Plus camera body + SxS Module + EVF-1 + Viewfinder Mounting

Dimensions

 Length: 332 mm/12.95”, width: 175 mm/6.89”, height: 158 mm/6.22

Environmental

 -20° C to +45° C (-4° F to +113° F) @ 95% humidity max,
non condensing. Splash and dust proof through sealed electronics.
System cooling through radiator/single fan.

Lens Mount

 ARRI Exchangeable Lens Mount (ELM); ships with
Lens Adapter PL Mount with LDS contacts, 54 mm stainless
steel PL mount, Super 35 centered

Flange Focal Depth

 52.00 mm nominal

Viewfinder

 Low latency (≤1 frame delay) electronic color viewfinder ARRI EVF-1
with 1280 x 784 F-LCOS micro display (image: 1280 x 720, status bars: 1280
x 32 above and 1280 x 32 below image) and ARRI LED illumination, both temperature
controlled. Image can be flipped for use of viewfinder on camera left or right. Viewfinder Mounting
Bracket allows movement of viewfinder forward/backwards, left/right,
up/down, 360 degree rotation and placement on camera left
or right. EVF-1 controls: viewfinder and basic camera settings,
ZOOM button (2.25x pixel to pixel magnification),
EXP button (false color exposure check) and jog wheel.

Assistive Displays

 For EVF-1 and MON OUT: frame lines, surround view, camera status,
false color exposure check, peaking focus check, electronic level,
compare stored image with live image, RETURN IN video and anamorphic
de-squeeze. Anamorphic de-squeeze requires license purchase.
MON OUT only: Reel & clip number.

Control

 Camera right: main user interface with 3” transflective 400 x 240
pixel LCD color screen, illuminated buttons, button lock and jog wheel.
Camera left: operator interface with illuminated buttons, button
lock and card swap button.

In-camera Recording

Records Apple QuickTime/ProRes files or MXF/DNxHD files onto
one or two (Dual Recording) SxS PRO cards. All codecs record
legal range video with embedded audio, timecode and metadata.

Codec: QuickTime/ProRes 4444
Compression (1): ‘5:1
Bit Rate in Mb/s at 30 fps: 330
Bit Depth: 12
Color Coding: 4:4:4 RGB
Recording time in hrs:min (2): ‘0:22
Application: High

Recording Outputs

2x 1.5G or 3G REC OUT BNC connectors for ARRIRAW
or HD-SDI video. Both with embedded audio, timecode, metadata and optional recording flag.

ARRIRAW: 2880 x 1620, uncompressed 12 bit log without white balance or exposure
index processing
applied. Requires an ARRIRAW T-Link certified recorder.

HD-SDI video: uncompressed 1920 x 1080 4:4:4 RGB or 4:2:2 YCbCr;both legal or
extended range.
Recording frame rates other than HD standard (23.976, 24, 25, 29.97, 30, 50, 59.94, 60 fps) requires
a recorder with Variflag support.

Monitor Output

 1x MON OUT BNC connector for uncompressed 1.5 G HD-SDI
video: 1920 x 1080, 4:2:2 YCbCr; legal range.

Image Processing

 16 bit linear internal image processing. Target color spaces for SxS, REC OUT and MON OUT:
Log C (film matrix off), Log C (film matrix on), Rec 709 or DCI P3.
For Rec 709 and DCI P3 a customized look can be applied during record and playback with ARRI
Look Files. Optional horizontal image mirroring.

Synchronization

 Master/Slave mode for precision sync of settings, sensor, processing,
HD-SDI outputs and SxS recording for 3D applications.

Playback

 QuickTime/ProRes and MXF/DNxHD clips can be played back from SxS PRO cards
to the EVF-1, MON OUT and REC OUT. Playback audio is available
embedded in the MON OUT and REC OUT signals and on the headphones jack.

Audio

 1x XLR 5 pin AUDIO IN connector for 2 channel, line level balanced audio input,
24 bit/48 kHz A/D conversion, works at 23.976, 24, 25, 29.97 and 30 fps.
Uncompressed audio is recorded into the QuickTime/ProRes file or MXF/DNxHD file
and embedded in all HD-SDI outputs, including ARRIRAW T-Link.
Max of 2.5 dBm output from AUDIO OUT headphones connector.

Connectors

 Slots for SxS PRO cards (SxS), Camera body
2x BNC recording out HD-SDI, 1.5G/3G (REC-OUT 1/2), Camera body
1x BNC monitoring out HD-SDI, 1.5G (MON OUT), Camera body
1x XLR 5 pin audio in (AUDIO IN), Camera body
1x BNC return signal HD-SDI, 1.5G (RET/SYNC IN), Camera body
1x LEMO 16 pin external accessories (EXT), Camera body
1x Fischer 2 pin 24 V power in (BAT), Camera body
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera body
1x LEMO 2 pin 12 V accessory power out (12 V), Camera body
1x LEMO 5 pin timecode in/out (TC), Camera body
1x TRS 3.5 mm headphone mini stereo jack out (AUDIO OUT), Camera body
2x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera body
1x LEMO SMPTE 304M hybrid fiber connector (Optical Link), Camera head
1x LEMO custom 16 pin electronic viewfinder (EVF), Camera head
1x Fischer 2 pin 24 V power in (BAT), Camera head
2x Fischer 3 pin 24 V remote start and accessory power out (RS), Camera head
1x LEMO 10 pin Ethernet with 24 V power (ETHERNET), Camera head

SD Card

 For importing ARRI Look Files, camera set up files, frame line files, feature license
keys and custom lens tables for the Lens Data Archive (LDA).
Stores captured stills from the REC OUT image path in ARRIRAW (.ari, 12 bit),
TIFF (.tif, 16 bit), DPX (.dpx, 10 bit) and JPEG (.jpg, 8 bit) format as well as logging files.
Also used for software updates.
 
 
Day Rate: $1300Weekly Rate: $3900

This Kit Includes

  • ARRI ALEXA MINI CAMERA BODY
  • ARRI ALEXA MINI PL LDS LENS MOUNT
  • ARRI ALEXA MINI VIEWFINDER
  • (2) x ARRI ALEXA MINI VIEWFINDER CABLE
  • ARRI ALEXA MINI LWT ADAP PLATE
  • ARRI ALEXA MINI LWS ROD SUPP
  • (2) x ARRI ALEXA MINI MSB-1 SIDE BRACKET
  • ARRI CCH-2 CENTER CAMERA HANDLE
  • ARRI ALEXA MINI RMB-3 19MM ROD MT
  • (2) x SANDISK / CFAST 2.0 / 128GB 440MB/S
  • CFAST 2.0 CARD READER USB 3.0
  • USB 3.0 A MALE TO MICRO B MALE CABLE
  • ARRI ALEXA MINI BAP-1 BATT PLATE
  • 221W / 24V POWER SUPPLY
  • (2) x POWER CABLE IEC 60320 110/250VAC
  • (2) x ARRI ALEXA MINI STRT KC-50 POWER CABLE
  • ANTON BAUER POWER CHRGR QUAD 2702 70W
  • (4) x PAG HC-PL94T 94WH 3-STUD BATTERY
  • ARRI BRIDGE PLATE ADAPTER BPA-4 ALXA MI
  • ARRI BP8 19MM BRIDGE PLATE
  • (2) x ACN 30″ DTAP ALEXA MINI CABLE
  • ARRI ALEXA MINI V/F BRACKET
  • SWIVEL ANTENNA F/MINI,EMC-1,AMC-1,SMC-1
  • ELEMENTS 12″ ARRI DOVETAIL
  • (2) x ELEMENTS 15MM ULTRA RODS 12″ LENGTH
  • (2) x ELEMENTS 19MM ULTRA RODS 12″ LENGTH
  • WOODEN CAMERA – A-BOX (ALEXA MINI)
  • ANTN B GLD MT BRKT F/ARRI ALEXA MNICAM
  • RMT AUD INPUT CBL F/ARRFLEX ALEXA MINI
  • ANTON POWERTAP MULTI MALE TO 4 FEMALE

alexa mini small

Camera type 35 mm format film-style digital camera with lightweight and compact
carbon body, switchable active sensor area, support for ARRI MVF-1
viewfinder, built-in remote control capabilities via ARRI Electronic Control
System and Wi-Fi, support for cforce motors, built-in motorized
ND filters, interchangeable lens mounts and ARRI Lens Data System
as well as Lens Data Archive.
Dimensions Length: 185 mm/7.3″
Width: 125 mm/4.9″
Height: 140 mm/5.5″
(camera body with PL lens mount)
Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)
Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array
Active photo sites
(with surround view)		 S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200
as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Exposure index EI 800 base sensitivity
Filters Built-in motorized ND filters 0.6, 1.2, 2.1
Lens mounts Titanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector
Recording media CFast 2.0 memory cards
Recording formats ProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)Anamorphic ProRes formats
with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*MXF/ARRIRAW (in-camera recording to
MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***MXF/ARRIRAW Open Gate modes with active
image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)****)
requires ALEXA Mini 4:3 License Key
**) requires ALEXA Mini ARRIRAW License Key
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys
Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW
Recording frame rates
Recording Format Maximum Frame Rate in fps (1)
Sensor Mode Recording File Type Recording Resolution (2) Recording File Setting Internal Recording
CFast 2.0 128 GB
16:9 ProRes HD 422 / 422 HQ 200
4444 200
4444 XQ 120
2K 422 / 422 HQ 200
4444 200
4444 XQ 120
3.2K 422 / 422 HQ 60
4444 60
4444 XQ 30
UHD 422 / 422 HQ 60
4444 60
4444 XQ 30
MFX/ARRIRAW 16:9 2.8K – 48
4:3 ProRes 4:3 2.8K 422 / 422 HQ –
4444 50
4444 XQ –
6:5* ProRes 2:39:1 2K Ana. 422 / 422 HQ 120
4444 120
4444 XQ 120
8:9** ProRes HD Ana. 422 / 422 HQ –
4444 120
4444 XQ –
Open Gate MFX/ARRIRAW 3.4K Open Gate – 30

*4:3 cropped ** Center crop from anamorphic (1) Minimum frame rate is
always 0.75 fps (2) The „recording resolution“ determines
the number of horizontal pixels that will be recorded
(the number of vertical pixels is dependent on
the recording file type and sensor mode)
Color output Rec 709, custom look or Log C
Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)
Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue
Focus and exposure control Peaking, zebra, false color, waveform
White balance Manual and auto white balance
Sound level < 20 dB(A) at standard frame rates
Environmental -20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing
splash and dust-proof through sealed electronics
Viewfinder Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen
and military-grade connector to camera
Camera Control Panel (CCP-1) LCD control panel with option to
daisy-chain MVF-1
Control interface Soft buttons and OSD on SDI output,
integration of Transvideo Starlite HD5-ARRI touch interface
WCU-4 hand-unit with control over operational parameters.
ARRI lens motor control Built-in white coded radio interface for ARRI lens and camera remote control
LBUS motor output for daisy-chainable cforce lens control motors
Lens Data Archive
-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones,
tablets and laptops
Custom control Optional GPIO interface for integration with custom control interfaces
Power input Lemo 8-pin, 10.5-34 V DC
Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio
and metadata, 6G SDI in UHD and 3.2K recording modes.
Inputs SDI-Genlock (optional activation through ARRI Service),
timecode (in and output)
Other interfaces USB 2.0 (for usersets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output
(outputs battery voltage)

Day Rate: $100

Weekly Rate: $300

_CA5DM3KIT

This Kit Includes

CANON 5D MARK III

15′ USB TO USB MINI CABLE

ARC USB DRIVE WITH MANUAL & SOFTWARE

(6) x CANON LP-E6 BATTERY

CANON LC-E6 CHARGER FOR 5D / 7D

SANDISK / CF CARD / 16GB 120MB/S

CANON VIDEO CABLE FOR 5D III

LEXAR USB2/3 DUAL SLOT READER UDMA7

USB 3.0 A MALE TO MICRO B MALE CABLE