A Wide Selection of Lenses for Digital Filmmakers

Day Rate:

18mm T1.3 – $125

25mm T1.3  – $125

35mm T1.3 – $125

50mm T1.3 – $125

65mm T1.3 – $125

85mm T1.3 – $125

35MM T1.9 MASTER ANAMORPHIC PRIME  – Available to Rent

40MM T1.9 MASTER ANAMORPHIC PRIME – Available to Rent

50MM T1.9 MASTER ANAMORPHIC PRIME – Available to Rent

60MM T1.9 MASTER ANAMORPHIC PRIME – Available to Rent

75MM T1.9 MASTER ANAMORPHIC PRIME – Available to Rent

100MM T1.9 MASTER ANAMORPHIC PRIME – Coming in June

135MM T1.9 MASTER ANAMORPHIC PRIME – Coming Soon

A range of seven high-performance prime lenses,
the ARRI/ZEISS Master Anamorphic series represents a significant step forward in the
technology and practicality of anamorphic cinematography for
35 format digital and film cameras.

For the first time, a perfect combination of compact size,
minimal weight, very high speed and exceptional optical
design with minimal distortion has been achieved in a set of
anamorphics. With beautiful out-of-focus backgrounds and
a smooth, cinematic look, the Master Anamorphic lenses are
as fast and easy to use on set as other modern cine lenses.

At a glance

Low distortion for uncompromised cinemascope
Cinematic bokeh with high contrast and nice focus fall-off
Beautiful skin tones and precise color rendition
Characteristic oval out-of-focus highlights

Main Features

*Low distortion for uncompromised cinemascope
-straight lines stay straight
-no distortion compensation in post necessary
-low distortion even at close focus
*Cinematic bokeh with high contrast and nice focus fall-off
-very smooth out-of-focus image
-immersive look
*Beautiful skin tones and precise color rendition
-smooth and pleasant skin tones
-natural crispy color rendition
*Characteristic out-of-focus highlights

-oval and uniform illuminated out-of-focus highlights

-smooth iris shape because of 15 aperture blades
*Large image field for full freedom in composition
-full 2.39:1 format is useable for image composition
-no visible image drop at the corners
*Large aperture of T1.9 for shallow depth of focus
-T1.9 useable with any focal length at any distance
-overcomes the old rule: “anamorphics need to be stopped down to T4.5”
*Virtually no image breathing
-No anamorphic mumps (fat face effect)
-Super color matched to other ARRI/ZEISS primes and ARRI/Fujinon zooms
-ARRI Lens Data System (LDS) for lens metadata